Message from a fieldfare

The clocks have changed.
Office hours equal daylight hours,
pretty much.
Work finishes and it is dark.

Why did we create
work rhythms
that lock us away
from the light?

To make sure I observe
this day,

I leave my desk in the afternoon,
head out through autumn colours,
the smell of wet leaves,
face misted by rain,
lungs full of fresh air.

My thoughts settle
to the rhythm
of my walking.

Words of a future blog post
roll through my mind.

A pleasant state,
half here,
half elsewhere,
until the scolding of
a fieldfare brings me back,
as if to say
‘I have travelled over seas to get here,
And you will notice me.’

I look up, into a tree full of birds.

Chastened, I remain present,
as a treecreeper darts
silently
up the trunk
probing for insects.

The blog post I was composing
will have to wait for another day.
The fieldfare sent this, instead.


Listen to a fieldfare here.

Gone canoeing

It’s the August bank holiday here in England. This is a note I left in the kitchen on Saturday.

Going canoeing reminded me of a poem I wrote on May Day bank holiday 2018. Reposting it here:


A click of the shutter

I don’t have a waterproof camera

and my phone is wrapped in plastic, safe in a drybag,

for emergencies only.

And so I have no photos to share

to say I was here,

to try to convey the meaning of a moment.

But how often does a photograph really do that?

After all, there are other senses than sight.

So.

Bank holiday monday,

Coniston Water

the end of a scorching weekend.

Paddling south (first time in my canoe this year)

away from the crowds,

my arms remember how good it feels,

burn of working muscle

taking me further from the voices and barbecue smoke.

Past open water swimmers towing orange floats

who stop for a chat in the middle of the lake

unfazed by the deeps,

complaining of the cold water.

Past moored boats, and pine tree promentaries,

shingle beaches overhung with oaks,

until, at the south end of the lake

as yellow reeds narrow to reveal the start of a river,

I turn around to head back north and see

spread before me the calm lake

bordered by woods in the first flush of spring green,

low bracken-covered hills glowing

in the early evening sunshine,

the Coniston fells beyond, blue and slightly misty.

That is the moment I would have pressed the shutter.

But could that photograph record

the pleasant ache of shoulders and arms,

the gentle forward motion of the canoe,

the sound of water lapping,

a mind quietened to contentment?

One moment, containing

a sense of returning, of welcome,

a glimpse of childhood,

a farewell to winter,

and the seed of all the summers to come.